About this movie
Within the first three minutes, the arrangement of image to sound is made clear: the recorded voice of Lieselott Beschorner (born 1927) will be accompanied by a black screen, while the images of this artist at work in her studio will be rendered in silent black-and-white. Christiana Perschon continues her creative documentation of female artists (as in SHE IS THE OTHER GAZE, 2018), with a sensitivity to gesture, texture, rhythm, materials. “The line unfolds into something particular,” remarks Beschorner, and the same applies to the film’s capturing and assembling of light, movement, and sound.
Quick facts
Your reaction
Questions about Sekundenarbeiten
📲 Send the link to a WhatsApp or Telegram group.
Once someone clicks it, your access is unlocked automatically.
Unlocking share options…
Checking activity...
Still waiting…
You can leave safely — we'll keep checking.
Link clicked! Access unlocked.
🎬 Share to your group — instant access, no sign-up required
